Photography Handmade Books: Redefining the Functions and Missions of Contemporary Photographic Art

Abstract

 In the digital era, the omnipresence of image technologies has radically transformed the ontology of photography. The ease of reproduction and circulation has led to the erosion of the “aura” of photographic images, echoing Walter Benjamin’s (2002) seminal critique of art in the age of mechanical reproduction. Within this context, the resurgence of handmade photobooks—an art form integrating photographic imagery with craft-based materiality—offers a distinctive counterpoint to digital homogenization. Handmade photobooks embody a convergence of tactile materiality, non-linear narrative experimentation, and intimate authorship. Through close examination of major exhibitions such as the Hangzhou International Handmade Photobook Biennale (2023), the 23rd Pingyao International Photography Festival (2023), and the Tate Modern Handmade Photobook Joint Exhibition (2025), this study argues that handmade photobooks have shifted from peripheral practice to an increasingly recognized cultural and artistic phenomenon. Drawing on interdisciplinary perspectives from visual culture, book arts, and archival studies, the paper contends that handmade photobooks operate simultaneously as artistic experiments, affective objects, and micro-archives of cultural memory. They retain overlooked fragments of history, bridge personal and collective narratives, and foster the transformation of photography into a “total art” form.