View the Modern Interpretation of Chinese Landscape Painting From A Tapestry of a Legendary Land

Abstract

The movie A Tapestry of a Legendary Land, directed by famous directors Zhou Liya and Han Zhen, produced by the Palace Museum and China Oriental Performing Arts Group, and the creation background of the national treasure-level cultural relic "Thousand Miles of Rivers and Mountains" was launched on major screens this summer, setting a peak in the box office of this type of film in China. The film combines the charm of Song Dynasty landscapes with modern aesthetics, breaks the limitations of paintings and dance dramas, and conveys the emotions contained in famous paintings to the audience from a more free perspective. This article starts from the evolution of "A Thousand Miles of Rivers and Mountains" to the movie A Tapestry of a Legendary Land and summarizes and summarizes the film technology to shift green landscape painting from a two-dimensional plane to a three-dimensional space, which can better reflect the beauty of Chinese painting's artistic conception, stimulate the emotional resonance of the audience, and promote the creative transformation and innovative development of Chinese traditional culture.