Starting with the Reconstruction of the Work "Medicine" and the Restoration of the Wrestler: On the Boundary and Possibility of Artificial Intelligence Reconstructing Art History

Abstract

Through this paper, the author analyzes the multidimensional involvement of artificial intelligence in the field of art, constructing a technical evolution framework from "restoration" to "creation." Starting with the reconstruction of works by Gustav Klimt, a member of the Vienna Secession, and the restoration of Van Goghs hidden paintings, it extends to cutting-edge cases such as Mario Klingemanns *Memories of Passersby*, revealing how AI can transcend the physical boundaries of traditional art history. It also explores new areas in AI research within art studies, analyzing its role in art history, criticism, and broader humanities disciplines. Additionally, it examines how AI tools are used to provide new insights into art evaluation and restoration, infusing historical works with new life and offering a fresh perspective on interpreting art heritage. Furthermore, the potential of AI in fostering new artistic trends and paradigms is speculated upon, challenging and expanding our collective understanding of what constitutes art. Moreover, the paper delves into the emerging field of computational creativity, where AI not only serves as an analytical tool but also as a medium for creation, blurring traditional boundaries between creator and creation.